The launch on 8 April 2021 of The Making of the Nigerian Flagship: A Story
of The Guardian is significant in several respects. One of them is literature
and documentation of the evolution of the Nigerian media.

Just two weeks ago, I taught a class of persons who learnt via Zoom at the
Nestle/LBS programme on Advancing Nutrition, Health and
Environmental Awareness through the Media. One of the participants
asked a critical question. Why do Nigerian scholars often cite foreign
examples rather than local ones?
The answer is a lack of documentation. I told him there was no concise
history of our major media organisations such as The Daily Times, Nigerian
Tribune, The Punch, amongst the oldest. Nor of Radio Nigeria (FRCN) and
the 80s print media giants such as National Concord, Vanguard, Satellite
and The Guardian.
I was glad to ask him to look out for the launch on 7 April of work on The
Guardian. The authors shifted the launch by a day to accommodate
changes in the Presidency.
The challenge of documentation and citation was the most significant
hurdle in teaching Nigerian Media History over four semesters. We often
cite Fred Omu’s Press and Politics in Nigeria and Dayo Duyile’s Makers of
Nigerian Press. I sent out questionnaires to Managing Directors of the
major titles. Only a few responded after three years.
Richard Ikiebe, Lanre Idowu, and Aremo Olusegun Osoba have recently
added arrows to the quiver.

Richard contributed a two-volume book of first-hand accounts by certain
players in Nigerian Media Leaders: Voices Beyond the Newsroom, as well
as Kolade’s Canons with a book devoted to broadcasting, Then, a book
with Taiwo Obe, titled future tense: The Travails of Next and Nigerian
Journalism in the Digital Age.
Lanre Idowu added Uneven Steps: The Story of The Nigerian Guild of
Editors and Voices from Within, essays in honour of Sam Amuka. Osoba
offered a biographical account that included the Daily Times.

Broadcasting has benefited from broad-stroke studies. They include the
essay by Liwhu Betiang (2013), Global Drums and Local Masquerades:
Fifty Years of Television Broadcasting in Nigeria: 1959-2009 and books
such as Folarin, B. (2000). Foundation of broadcasting: A handbook for
Nigerian students, and Lasode, O. (1994). Television broadcasting: The
Nigerian experience, 1959-1992.
The Making of the Nigerian Flagship: A Story of The Guardian represents a
significant plank to document Nigerian media history. It will be essential
reading for students and scholars of the Nigerian media.
Kudos to Aaron Ukodie and O’Seun Ogunseitan for the work on the story of
The Guardian. I shall dig into it for a review on Culture Shelf.
Happy birthday to Aaron as he celebrates today.
Aaron and O’Seun have rendered an excellent service to journalism and
scholarship. At first glance, the book reminds me of Gay Talese’s (1969
The Kingdom and the Power: Behind the Scenes at The New York
Times: The Institution That Influences the World. This work offers a
broader scope.
Thank you to Vice President Yemi Osinbajo, whose presence added heft
and glamour to the event. Prof Osinbajo is a media scholar. His book, Yemi
Osinbajo (1991), Nigerian Media Law, builds on the eponymous Taslim
Elias book.

It was a satisfying day yesterday.

The presence of Prof Osinbajo negated the absence of six governors who
had all promised to come. Maybe the date change affected them, but.

Conversation starter on IMC in Nigeria

Ikem Okuhu (2019), Pitch: Debunking Marketing’s Strongest Myths.
Lagos: Brandish Media. ISBN: 978-978-975-704-6

Pitch: Debunking Marketing’s Strongest Myths entered the market in the
best traditions of marketing communications. The decibel has been loud
and intense, as has been the effort to reach consumers and make them
at least buyers and probably readers of the book. The author of Pitch
demonstrates that you can achieve high levels of awareness and reach
for books in Nigeria bypassing the traditional book distribution channels.
Or almost.
Those building brands deploying public relations with modern platforms
such as Facebook, WhatsApp and Twitter are following the paths of old
masters such as Anita Roddick and her The Bodyshop line that predated
the Internet. The idea was to tell stories around the brand through
various activations including events. The media then reported it.
Since its formal presentation in Lagos, Pitch has grabbed the Facebook
platform and gets a mention every week. It does this deploying Walter
Fischer’s Narrative Paradigm Theory. Narrative Paradigm states that all
meaningful communication is in the form of storytelling. Communication
happens between the narrator and the listener in the form of a story.
Ikem Okuhu has consistently shared a series of stories around Pitch,
from Lagos to Enugu with promises of adding Abuja and other towns.
Friends have shared similar stories of donating the books to university
libraries, mass communication and marketing departments.
Consequently, engaged professionals in integrated marketing
communications in Nigeria have heard of the book. They should, as it
addresses issues within their purview and professional competence.
Pitch is a journalist’s look at various issues in marketing communications
that he feels do not serve the best interests of stakeholders, from

consumers to brand owners and media platforms. He calls them
“marketing’s strongest myths”. Okuhu makes bold assertions and strong
claims.
A central assertion and thesis of the book comes early in the preface.
Okuhu states, “There are far too many things that have been taken for
granted in marketing. Perhaps out of respect for the ‘icons’ of the
industry that laid the foundation for the cultivation of the ideas or merely
because many people find it hard to interrogate certain issues, we have
carried on with a lot that don’t just work. The consequence has been
dire-wasteful marketing spend”.
In 12 chapters across 178 pages, Pitch discusses the marketing role of
the CEO; the “death of advertising”; the significance of mindshare versus
market share; line extensions; and the growing role of technology and
artificial intelligence in marketing. It also treats the role or non-
contribution of innovation, pricing, globalisation and corporate social
responsibility. It examines the matter of nation branding and what it
takes to brand successful nation brands.
An icon of advertising, Mr Lolu Akinwunmi, offers a strong endorsement.
Akinwunmi in the Foreword pats the author on the back with a “well
done”. He observes, “Dwelling mainly on some of the things marketers
hold very dearly and consider sacrosanct, the author offers some new
and potentially controversial perspectives into some of marketing
communication industry’s strongly held views.”
There is much learning in Pitch, particularly for persons coming to
marketing communications anew and students of the discipline. The
material on CEO Types and their impact on the business is very
informative. It draws on the western templates against which Okuhu rails
but offers deep insights into character traits and metrics. He ends it with
a useful guide to CEO positioning and branding.
Chapter 11 on “Every nation is not a brand” illuminates the challenges of
branding Nigeria and some of the reasons why previous efforts failed. It
contains material on the indices for national competitiveness and
comparison of branding efforts by countries such as India. Usually there
is a congruence of the internal and the external with communications
being the culmination of various other efforts.
Pitch offers many mini-cases and narratives of successes and failures in
the marketplace. Narratives include Hero lager beer, Star and its many

line extensions, Guinness Stout, Origin beer, Thermocool, Access Bank
etc. The account of the fate of Heineken Magnum is particularly
instructive as it makes the case for the place of culture in communication
and marketing. The stories however come across as the impressions
and opinions of the author. They would read better, as both journalism
and marketing literature, if there is a balance featuring interactions and
interviews with the brand custodians to explain why and how they took
the decisions they made with actual data on market share and
competition. A revised edition should take care of this.
The controversies will centre around his assertions in chapter three on
mind share versus market share. He mentions the battle of Coca Cola
versus Big Cola, Gala versus Rite Bite and the war of the beer and
detergent brands. In this segment, the author falls into the trap of the
use of unverifiable data of which he accused the industry. He allots
market share of Coca Cola 51%, Pepsi, 41%, Big Cola 4% and Bigi, 1%.
The author credits this data to “Market Intelligence”. The book could do
with better statistics from identifiable and reliable sources.
Line extensions remain controversial in marketing since Ries and Trout
(1972). The chapter on line extensions is hard-hitting. It is a surprise that
since the book hit the market, none of the brands skewered has offered
a rebuttal or an explanation of what happened, why and the learnings.
The chapter raises a significant issue in marketing. Marketing
professionals distinguish between brand extensions, line extensions and
licensed merchandise. According to Mathew Healy (2010), in What is
Branding? brand extensions function vertically; custodians use the same
brand in a new category where the brand’s meaning still makes sense to
customers. Line extensions tend to be horizontal and geared to higher or
lower segments within the same category. Licensed merchandise
applies the brand to an item that may be unrelated to the original brand.
The author of Pitch assumes that the reader is familiar with the pillars of
marketing and its myths and does not bother to explain them for context
before busting them. Marketing revolves around these pillars: attracting
new clients; retaining and growing relationships for the brand and
company; increasing name recognition and awareness; and creating
targeted effective communications using all the tools including
advertising, public relations, trade promotion, sponsorships and social
media as well as community involvement.

What are the myths that Pitch then busts? The reader must infer that
they include the primacy of advertising using traditional media; the role
of line extensions; the link between pricing, brand value and customer
acceptance; the role of innovation; the role and limitations of branding,
the place and importance of globalisation and the routes to market.
The assertion that “advertising is dead” should generate a lively debate.
Much advertising features online and social media platforms. So how is
it dead? Is it advertising that died or there is a change in the platforms
for delivering it so much so as to leave the traditional ones lost?
Pitch is a must-have for professionals as well as students in the related
fields of marketing, mass communication and cognate disciplines such
as sociology, economics and psychology. It has started a conversation
that invites the active engagement of the IMC field. How well the industry
responds to the issues the book raises would also be an index of its
health and capacity for intellectual engagement. The nation awaits and
watches.

A Primer on contemporary marriage and family life

Francis Ewherido (2019), Life Lessons from Mudipapa. Lagos: Laddertop Ltd/
Mace Associates Limited. ISBN: 978-978-8033-45-5. 256pp


Is jealousy a lousy and utterly negative emotion that rubs off all
concerned in the wrong way? Could jealousy be a decisive factor in a
relationship? Could it be an indicator of something worthwhile?
The word has negative associations.  The Cambridge Dictionary defines
it as “a feeling of unhappiness and anger because someone has
something or someone that you want”. Synonyms are envy,
enviousness, covetousness, desire and resentment.
In Life Lessons from Mudipapa, Francis Ewherido urges a more
nuanced appreciation of jealousy as a positive if not a virtue when
applied in the right proportions. “Jealousy is like any other genuine
feeling we have for what belongs to us. Done in moderation, it is okay;
but taken to the extreme, it gets you into trouble. Everybody who cares
for his/her spouse harbours some degree of jealousy.”
He adds: “Many people use the words envy and jealousy
interchangeably, but it was not always so. Hitherto, jealousy was seen
as protecting what is yours, while envy was the act of desiring what
belonged to another. Jealousy is of God. What do you think the first and
second of the ten commandants are all about? God is trying to protect
his people. He is telling us he does not want to share us with the devil.
He wants no competition for our love for Him.”
Life Lessons from Mudipapa is an ambitious project aimed at
transferring the teaching notes of a marriage counsellor and platform
speaker into a compelling narrative that entertains, informs and instructs.
Ewherido chooses the novel format as a vehicle for this task. The
skeletal frame is the story of Chief Mudiaga Orien.
Mudiaga Orien becomes Mudipapa because of one of his daughters in
her infancy. She blurted out as little children do in her search for clarity
and meaning, “You say your name is Mudi, but mummy says you are
papa. So, you are Mudipapa,”
Life Lessons from Mudipapa centres on marriage and family life. It
covers the life choice of Mudiaga against a vocation in the priesthood
following an assessment of his strengths and weaknesses, his search
for a life partner and the journey of matrimony and building a family. We

follow his quest for a partner and the failures, his successful union with
EseOghene, his wife, and their efforts at raising their family, starting a
business, his unfruitful endeavours as a business owner and the lucky
break of paid employment with a big multinational.
He grows in his job, rising to Finance Director. The challenge of caring
for their young children forces EseOghene to set up a creche which
became very successful. Mudipapa buys land in Agbara Estate enough
to house their house and a big school. They face the tough decision of
selling their creche and moving over to Agbara where they set up the
Orien International School. It became an even more significant success
and a legacy. We follow Mudipapa until retirement after successfully
training his children to acquire first degrees in Nigeria and postgraduate
qualifications abroad.
The book treats courtship, marriage, family, and parenting. It also
tackles business start-up, planning for retirement and life in retirement,
as the cover and blurb promise. It does more.
“Imaginative literature primarily pleases rather than teaches”, Mortimer J
Adler and Charles Van Doren asserted five decades ago in their classic
“How To Read A Book: The Classic Guide to Intelligent Reading. The
great achievement of Life Lessons from Mudipapa is combining
imaginative literature with didacticism. It is usually a tall order to do so,
and the strain shows in passages of the book where the teaching notes
of Mudipapa dominates the story and takes the reader to sessions on
various lessons in marriage and family. The author pulled it through.

Career choices and how not to raise children

Kingsley Obom-Egbulem (2018), When Fishes Climb Trees. Lagos:
ParentingNow. ISBN 978-978-968-905-7. 158pp


When Fishes Climb Trees is in the genre of motivation/Christian
literature that has held sway for four decades. Originally from America,
the research on motivation runs through a vast swathe of subjects and
themes. Kingsley Obom-Egbulem in this book draws on two decades of
experience as a Teens Pastor. His book primarily addresses the needs
of these young people at the critical period of becoming or unbecoming.
Teens are in the nether region: they are no longer children, but it would
take a few more years to qualify as adults. Obom-Egbulem treats the
matter of careers and the paths to them, the influences that determine
career choices, when to start, and how to go about the pursuit. The
message is in line with one of two sub-titles of the book as “A guide to
helping children discover purpose.” The other sub-title addresses
parents: “The price for moving our kids out of their comfort zones in
pursuit of courses, careers and a life they are not wired for!”
Simi the songstress, recording artist and performer, provides a
persuasive testimonial in the Foreword. She states, “Don’t attempt to
dream for your children. Let them soar. The mind is a beautiful thing,
and it’s different for everyone. God doesn’t ask a son to share a mind
with his father. Your job is to raise them well and train them with good
values and inspire them to develop great character. But let them be their
person. Advice them, but be there for them even if they decide to go a
different career path from what you would prefer. It’s their life. Let them
live it.”
Simi was in the Teens Church Kingsley Obom-Egbulem pastors at
Daystar Christian Centre, Oregun. She chose music against all the odds
and succeeded. She imbibed the messaging of her pastor on the right of
each person to determine her life choices.
Obom-Egbulem makes bold assertions in pursuit of his thesis. He
postulates that for successful careers, it is critical to commence early. He
suggests age ten as a take-off point. The factors of time and age have a
gravitational pull that counts in the inverse as people age. “Talent
discovered late doesn’t mature with time. Rather, it is challenged by

upcoming young talents with time, those against whom it might be
almost impossible to compete.”
Across 21 chapters, When Fishes Climb Trees delves deeply into the
subject of future choice. It cites many cases from the experience of the
author as well as in literature, local and international. It discusses the
harmful effects of wrongful decisions on the development of personality.
The damage is more hurtful and longer-lasting when parents impose the
choices.
Boxes at the end of each chapter contain nuggets that summarise the
point as well as re-emphasise it. Sample, For Mom/Dad: “Be careful
about this term ‘stubborn child’. It is often used inappropriately and
irresponsibly. A child trying to connect talents with purpose is often
mistaken for a stormy petrel or enfant terrible. Be ready to accept what
makes your child proud and happy, even if it doesn’t make you happy at
the moment.”
Use of talents is one of the critical lessons in the New Testament based
on the teachings of Jesus Christ. When Fishes Climb Trees harps on the
management of skills as one of the essential duties of childminders.
Parents and those who stand in loco-parentis, teachers, should major on
talent identification, nurturing and management. They should do so
without preconceptions and pushing personal preferences.
When Fishes Climb Trees would serve as essential reading for the
family. It is the kind of book that parents and children would read chapter
by chapter, then sit down to analyse and discuss in the sitting room to
unearth choices and points of view.
https://www.pressreader.com › nigeria › business-day-nigeria

Expert guidance in managing the human capital of the firm

Chris Enuke (2017), The Practice of Human Resource Management
with Examples from Nigeria
. Ibadan: Feathers and Ink. ISBN: 978-978-53624-7. 670pages


With its positive approach to human resource management, this tome
belongs on the bookshelf of C-suite executives in MSMEs as well as the
more prominent and smaller players. It is a comprehensive handbook on
best practises in the management of the most critical asset of any
organisation. It draws on a quarter-century and counting of practice in a
global exemplar in managing the human capital, the behemoth Unilever,
with practical examples backing every subject.
While most firms agree that people are a crucial asset, the management
of that asset is often sub-optimal. Chris Enuke, a veteran of HRM in
Unilever and consultant to local and international organisations,
commences this dissertation with the case for clear-headed policies and
structures in talent management. “Of all the factors of production, it is
only men who can think and answer back. Because man can be
temperamental, exhibiting good and bad moods, we need specialists to
manage them. There should be a system in place to accomplish this;
there should be a Human Resource Policy, well-articulated, and in
writing and well-known to all key performers in the enterprise.”
People management is critical to organisational success. The Practice of
Human Resource Management with Examples from Nigeria makes the
case and systematically outlines the how and why of managing this vital
function. Practical examples in the best pedagogical traditions fill the
book. However, the reader will search in vain for management theories
and influences on HRM. Missing are classical management theory,
classical organisation theory, systems theory, the behavioural school,
TQM, excellence studies. There is no exegesis on Maslow’s Hierarchy of
Needs, Herzberg’s Motivator-Hygiene Theory, or McClelland’s three
needs theory.
The Practice of Human Resource Management with Examples from
Nigeria shows how to do things in talent management with sample
forms, tables, queries, letters, and policy documents. It then explains
why with an exposition of the theories and history.

It covers the employment cycle, from entry into employment, recruitment,
engagement, firing or retirement and exit from work. Chapter Four x-rays
“The legal basis of employment, and Nigerian Labour Laws”. It is a must-
read for owner-managers and those who sign the cheques or supervise
the entire workforce. It educates on the seven laws central to managing
employer-employee relations. They are the Labour Decree No 21 of
1974 and subsequent amendments to it; Factory’s Decree (as amended)
1987; and the Workmen’s Compensation Act 1987. Others include The
Trade Union Act No 31 of 1973, Wages Board and Industrial Councils
Act of 1973, Trade Disputes Decree No 7 of 1976 and Trade Disputes
(Essential Services) Decree No 23 of 1976 and subsequent
amendments.
The Practice of Human Resource Management with Examples from
Nigeria covers the core issues in HRM. They include training and
workforce development, performance appraisal principles and policies,
and employment maintenance issues such as welfare, medical, health,
uniforms, and protective clothing. Other areas include wages and salary
administration, job analysis and job evaluation, human resource records
and management of the human resource function.
What determines the structure of your organisation? Is it structured
along with the functions or the roles senior executives played in its
formation? Company organisation and structure, grievance and
discipline, industrial relations and relations with trade unions, collective
bargaining, strikes, and negotiations also feature.
Appendices containing practical examples and templates take up more
than half of the book. They ought to be incorporated into the relevant
departments as the term appendix may make unsuspecting readers fail
to pay attention to the rich trove of material herein. The absence of
theories of human resource management is a minus from the appeal of
the book. Well-grounded theories provide a sound handle for the
practices espoused here.
Many students will treasure this book. They include those seeking
chartered status with the CIPM, as well as in MBA and similar
programmes where HRM features. It is luxurious, practical, global, yet
local.

The many-sided stories of Nigeria around Dick Kramer

Ifueko M. Omoigui-Okauru(ed) (2014), Making Change Happen:
Partnering to Build Nigeria.
Lagos: Andersen Alumni and
Storyteller Services. 466pages. ISBN: 978-978-941-318-8
By Chido Nwakanma, School of Media and Communication, Pan Atlantic University, Lagos

People. Principles. Practices. These are the sum of the contributions of
80 persons around the attributes and personality of Richard (Dick)
Kramer who gave 40 years out of his current 85 years in service to
Nigeria and who left for his final retirement only in July 2019. Friends
and associates held many a send forth party to honour the American
who loved Nigeria with passion and positivity. This book is a true
testament guaranteed to serve as a beacon to many people down the
line.
On the surface, this book of many stories is primarily a collection of
tributes to Dick Kramer. Deeper exploration shows more. Making
Change Happen: Partnering to Build Nigeria is both a many-sided mirror
as well as a compass for the vessel MV Nigeria with some of its most
accomplished holding the oars.
Dick Kramer started and grew the Nigerian office of the global
accountancy and consulting firm Arthur Andersen in 1978 and retired in

  1. He finally left Nigeria in 2019. His footprints are traceable to the
    Harvard Business School Alumni Association of Nigeria (HBSAN), the
    Nigerian-American Chamber of Commerce, and the Lagos Business
    School/Pan Atlantic University. Include the Enabling Environment
    Forum, the precursor to the Nigerian Economic Summit Group,
    American Business Council and Vision 2010.
    He spent post-Andersen days building Nigeria’s largest private equity
    firm African Capital Alliance. Making Change Happen has the first-
    person account of Dick and Wanda Kramer.
    It also has a Who’s Who of Nigerians, 80 persons, who were either
    alumni of Arthur Andersen, African Capital Alliance or worked with Dick
    Kramer on his many community projects. Community service was a
    guiding philosophy for the Kramers. He states, “Fundamental for a family
    is a strong commitment to leaving our community better than we found it.

Hence, personal and family values are aligned with community service
and, ultimately, nation-building.”
Contributors include Chief Ernest Shonekan, Mr Adams Oshiomhole,
Prof Albert Alos and Atedo Peterside. Readers will share the thoughts
and experiences of Amina Oyagbola, Frank Aigbogun, Afolabi Oladele,
Mohammed Hayatudeen, Frank Jnr Nweke, Seyi Bickersteth, Pascal
Dozie, Juan Manuel Elegido and Bode Agusto. There are also Dayo
Lawuyi, Akin Laguda, Omobola Johnson, Charles Anudu and Emeka
Emuwa. Add Juliet Anammah, Keith Richards, Kelvin Balogun, and Ladi
Jadesinmi. Then Koyinsola Ajayi, Ifueko Omoigui-Okauru, Kunle
Elebute, Mansur Ahmed, Mazi Udochukwu Uwakaneme, Princeton
Lyman and Tani Fafunwa.
People, principles, practices and family. Kramer believed in people and
brought out the best in those he came across. Education was a priority
and accounted for much of his interventions. He practised what he
believed: the correct values as the basis for all actions, individual,
corporate and communal. Principle-based leadership is critical to making
the right decisions and effecting desired changes in Nigeria. Family,
finally, is the bedrock. Everything revolves around the family.
Making Change Happens lends itself to analysis using various
theoretical lenses. Albert Bandura’s Social Learning Theory explains the
influence of Kramer after whom many of the narrators modelled their
behaviours. The book shares many stories in the line of Walter Fischer’s
Narrative Paradigm. Editorial intervention is apparent in the themes, but
each story stands apart, and collectively they form a mosaic of exciting
perspectives.
Seek and read the colloquium on Nigeria featuring 80 of its leaders in
Making Change Happen. The publishers ask buyers to email them at
info@storytellerservices.com or call +234 8091114809.

Primer on the inter-connectedness of life

A lifetime of friendships: And a career in television and Nollywood, Muritala Sule (2018), Lagos: MS Global Productions Limited. 242 pages.
ISBN: 978-978-55035-7-9
Reviewed by Chido Nwakanma
School of Media and Communication, Pan Atlantic University


Several areas make this book significant and interesting. It is a free-flowing
narrative about the inter-connectedness of life and how events even in
childhood catch up with us and take deterministic shapes and turns. A
lifetime of friendships is a biography in the best traditions as it anchors on a
pivotal moment in the life of the author.
Muritala Sule is a communication professional with experience in public
information management, journalism, and film production. He produced and
presented the immensely popular Lagbo Video magazine feature
programme on NTA Channel 7 between 1995 and 1999. The programme
was a platform for the then evolving Nollywood. Lagbo Video is
understandably the peg for this narrative, but it then draws in many
characters and personalities and a rich trove of experiences and
interactions.
At the heart of the story is his life-long relationship with Godwin Igharo,
unfortunately now on the other side of life. They meet in the streets and
cinemas of Mushin as teens who would sneak in to watch films even at the
cost of severe punishment by the parents of Mr Sule. Soon Godwin moves
in as part of the family and together they form a strong personal bond that
they transmute in later life into a professional one. Muritala Sule, MS to
many of his friends and colleagues, weaves a writer’s web that draws in
many persons, places and programmes of their lives into this engrossing
narrative.
Several areas of interest stand out in A life of friendships and serve as
learning points.
The author shows great skill and presence of mind in recollecting and
documenting the various relationships that stood out in his life and career.
People are the clothes that MS wears proudly as his sartorial signature. It
makes up for his often-downbeat sartorial taste. MS inherited and acquired
his love for people from his mother. Alhaja Raliat Sumbola Kareem was a
bleeding heart. She went out of her way to convert her home to a

communal restaurant, a semi-orphanage and a home for the homeless and
hungry. Her son took after her in bringing home a friend that would be a
significant part of his life.
Relationships and relationship management count down the line. A lifetime
of friendships brings to life in a Nigerian setting all the lessons and more in
Dale Carnegie’s famous How to make friends and influence people.
Lessons in managing the egos and turf battles in the relationship between
producers of independent programmes and managers of the broadcast
platforms where they run them.
Life on the streets, the thrills and dangers. This portion makes for sober
reading.
Childhood discipline and the benefit of strong foundations. His father caned
MS ceaselessly for going to the cinemas and returning late at night. Much
later, he gloried in the success of Lagbo Video¸ borne on the inspiration of
such childhood obsession with moving images.
The journey of ideas from gestation to germination.
The often-unhelpful attitude of advertisers, like bankers, who support
ventures only when you have market-place proof of concept.
Gratitude and giving credit to others. The author pours generous
encomiums on various cadre of staff with whom he worked on the
programme at the Nigerian Television Authority. They range from the
General Manager then, Chief Bode Alalade, to engineers L.O. Olajide and
others.
Many people stand out in this narrative, none more so than Mahmoud Ali-
Balogun. He was the anchor for the realisation of the vision of Lagbo Video.
Then the many personalities who featured in the programme, from King
Sunny Ade to Tunde Kelani, Mrs Duro Ladipo, Kanayo O Kanayo, Bimbo
Akintola, Alhaji Lateef Olayinka (Latola Films) to Shina Peters and the
many players in Nollywood and the larger entertainment industry. Then his
many friends in journalism, including Lanre Idowu and Taiwo Obe, then of
Media Review and Steve Osuji of New Age newspaper.
The author quotes his then broadcasting lecturer at the University of
Nigeria, Dr Emmanuel Akpan, as saying that a good broadcast show
should “show me the banananess in the banana.” Recalling it was a spur
for his idea of a TV programme on films. He also thought broadcast was
more effective than print in capturing the whole essence of the then
emerging Nollywood and film.
Even as he gives deserved credit to Dr Akpan, the author casts a withering
glance at the Nigerian university system. He blasts the inhabitants of the
Nigerian ivory tower for being disconnected with the reality of the market

place to which they send students. “In nearly all universities where Theatre
Arts and Mass Communication are taught, many lecturers mock Nollywood
and talk disparagingly about it and the people who sustain it, making the
would-be graduates look down on them. Yet, this is an industry that is the
toast of Africa and respected around the world”.
Our academics, he asserts, are “All theory, no practise”. The chapter on
Emmanuel Akpan is deep, reflective and makes profound statements about
the direction of Nigerian education. Why are we not teaching and
formalising Pidgin, the language spoken by many citizens across West
Africa? What are we doing about our rich idioms and proverbs instead of
quoting Homer, Aristotle and all the Greeks and Romans? Why are we not
linking courses to real-life to help students?
A lifetime of friendships is so picturesque it shows the banananess in the
banana of this story.
An index and a section explaining the local terminologies in use evinces the
care in getting the message across as well as concern for the reader.
A lifetime of friendships is a useful book for persons interested in
broadcasting and film, Nigeria’s Nollywood, TV production and marketing,
as well as the history of Nigerian media. It would appeal to those in Literary
and Language Arts, communication and urban sociology.
It is most of all an intensely enjoyable first-person narrative of lives and the
intersections with other lives and how they play out many years down the
line.

Challenges and thrills of the advertising business

Dotun Adekanmbi(2019), The Will To Win: The Story of Biodun Shobanjo. Lagos: Havillah Books/Strategic PR Wox. 542pp
By Chido Nwakanma

Advertising is the basis of the renown of Biodun Shobanjo, co-founder and
boss of Insight Communications/Troyka Group and a larger-than-life
personality in Nigeria’s marketing communications industry. How do you
chronicle the life of Shobanjo without it being majorly about advertising?
The above question is at the heart of Dotun Adekanmbi’s brave effort in
The Will To Win: The Story of Biodun Shobanjo. He set out not to write a
book on advertising but “a career biography, one that attempts to capture
his perspective to explain his dream and its realisation”.
Adekanmbi states: “I prefer to describe this book as an extended
personality interview conducted in the best traditions of my journalism
background. At all times, I recognised the imperative of subjecting claims
and counterclaims to strict standards of proof. This book does not
pontificate on the practice of advertising; neither does it touch on his
privacy, except where necessary to illustrate a point or the other. But it
does attempt to dispassionately examine critical issues in the industry as
they affect the man and his widely acclaimed extraordinary career.”
Because Biodun Shobanjo played significant roles in Nigerian advertising
and marketing communication, ninety per cent of The Will To Win dwells on
advertising. It covers Shobanjo’s sojourn and exit from Grant Advertising,
Insight Communication’s birth, Insight’s business trajectory from start-up
through early years to growth and dominance.

You will read about Shobanjo’s background and early life, his early career
in broadcasting that exposed him to one strand of the disciplines that would
count in his career in advertising and his qualification as a UK-certified
public relations professional through correspondence. That alone debunks
the myth of a man with no formal education who then rose to the zenith of
his business.
You share Shobanjo’s battles and his experiences with AAPN and AAAN;
the media debt challenge; the fights over affiliation.
The journey to the book took 15 years and many exciting turns. Biodun
Shobanjo challenged Dotun Adekanmbi to show proof ab initio of the
necessity for a biography. The author then carried out a survey wherein
respondents listed Shobanjo in the Top 5 of persons whose biographies
they would love to read. There were other tests in this collaborative
endeavour between the biographer and his focal person. Their mutual
understanding produced a book chockful of information, anecdotes, and
insights.
The time and place dimensions enriched this biography. It is
comprehensive and provides rich insights into various aspects of Nigerian
advertising. Journalism posits that a rounded story covers the five Ws and
the H. The Ws are Who, What, Where, When and Why. The H is How.
Dotun Adekanmbi tackles the five Ws of Shobanjo’s involvement and
exploits in advertising.
Significance is at the heart of biographies. It is the litmus test. Good
biographies seek answers to these questions: What is the significance of
this person’s life? How did he or she change the world? What would
happen if this person never existed? What is unique about what they did or
made?
What did Biodun Shobanjo contribute and change in Nigerian advertising?
The Will To Win does an excellent job of providing perspectives and
insights. Some of the contributions of Insight/Troyka Group that Shobanjo
led include

  1. Creativity and excitement.
  2. Mutual respect between an agency and its clients.
  3. Recognition of the limits of advertising. Shobanjo says, “Advertising
    helps a rolling ball roll faster, but it cannot get a ball to roll uphill”.
  4. Creativity in media buying.
  5. Explicit agreement on deliverables between agency and client.
  6. Flamboyance
  7. An orientation for high standards and quality: “Selling on Quality, Not
    on Price”.
  8. Demanding higher rewards for quality service or becoming a premium
    niche player.
  9. The art of presentation and the total business solutions concept, not
    merely creativity.
  10. Internationalisation in standards and affiliations that preceded
    globalisation.
  11. Compliance, from regulatory to professional and social.
  12. Diversification; growing into an IMC octopus with legs in public
    relations, outdoor, experiential and events, and media buying. Then
    the non-communication support services grew into solid companies
    and brands.
  13. Human capital as a critical factor in the knowledge business of
    advertising and marketing communication.
  14. Many more.
    The Will To Win is a primer on management and entrepreneurship. There
    are lessons in management style, structures, HR, partnerships,
    competition, business, and personal relationships. Partnerships are
    common in the service industry. Shobanjo shares guidance on
    partnerships: spell out all the terms of engagement in writing; avoid mixing
    friendship and business; understand the attitude of all partners to money;
    recognise the God factor.
    Dotun Adekanmbi has written a success manual that walks the reader
    through the labyrinths of the advertising business.
    As indicated, Adekanmbi does not treat the How of Insight’s advertising by
    design. However, the book gives enough pointers for another book on How
    To Create Advertising The Insight Way. It does this by mentioning across
    the book the many successful campaigns of the multiple award-winning
    firm.

Some of the campaigns include Sparkle Toothpaste, Exceedrin-When
you’ve tried Excedrin, you’ll know why it is more expensive; Vitalo; Nasco
Cornflakes; Gold Beer dancing bottle, Oh my Gold; and Dulux Paint-The
only way to paint a masterpiece. Others include Nicon Noga Hilton Hotel,
Chrislieb’s Trebor Luckies; Lever Brothers; Nigerian Breweries’ Gulder
Ultimate Search, Bagco Super Sack, Pepsi Big Blue, Indomie Noodles,
Mirinda Orange Men, Daewoo Espero and 7-Up Hi-Life Promo. They
deserve a nuts-and-bolts explication.
The Will To Win is an ambitious book. The author struggles in some areas
between writing a biography and a hagiography. It is a thin line that he
successfully skirts in the end. There are too many styles, from the New
Journalism of elaborate scene-setting to the narrative and analysis.
The Will To Win deserves a place on the shelf of professionals in marketing
communication, management and business studies. Following the
breakdown of mass communication into seven disciplines, including
advertising, books such as The Will To Win will provide case studies,
particularly for graduate students. It is serendipitous that another industry
veteran, Lolu Akinwunmi, also released a corporate history cum
autobiography (Lolu Akinwunmi (2020), Skin For Skin: The Prima
Garnet Story. Lagos: Heritek Support Services. The books enrich the
literature in the field.


Nwakanma is Nigerian president of the International Association of
Business Communicators and an Adjunct Faculty at the School of Media and Communication, Pan Atlantic University.

ThisWeek and its entertainment strength

By Chido Nwakanma

Thirty-three years later, copies of ThisWeek still look contemporary with the
right features. The journal strikes with its colourful design and presentation. The
appearance of the magazine was one of its selling attributes in those days. It was
bright, entertaining, brilliant and distinct.
The appearance was part of its design, mission and positioning. ThisWeek set
out to offer the reader in Nigeria a magazine of global standards in news
gathering and presentation. It was the first all-colour glossy news magazine in
the country. There had been a few attempts at producing magazines in colour,
but they were in the areas of soft news. Those earlier efforts included Ophelia,
Drum and such-like.
ThisWeek came on stream in the roaring 80s of the New Journalism in Nigeria.
The 1980s witnessed the triumph of private enterprise in the Nigerian print
media. Many newspapers entered the market to considerable acclaim and
success. The Punch came out in the 70s and showed in the fourth era of
Nigerian private newspapers that it was possible to do what the papers of the
second and third era such as The West African Pilot and Nigerian Tribune did.
State ownership was the norm in the 70s when The Punch broke the mould. The
new private newspapers thus built on the success of The Punch in that era as it
competed against well-funded and established players such as Daily Times and
Nigerian Tribune. They included National Concord, The Guardian, The
Republic, Vanguard, Daily Champion and many regional players such as
Satellite in Enugu.
Lagos was the epicentre, as it has been since Jamaican educationist and
businessman Robert Campbell began publishing the Anglo-African in 1868. The
first newspaper published in Lagos, Anglo-African had a short shelf-life of only
two years. Interestingly many of the papers of the 1980s also fell by the wayside
in short duration.
Enter ThisWeek a year after Newswatch. Newswatch defined a new terrain as the
first weekly news magazine in the tradition of American journals Time and
Newsweek.
Mission and Vision

The new magazine was fresh and determined to follow in the best traditions of
magazine journalism. Publisher Nduka Obaigbena saw the magazine as print
journalism’s answer to television mostly because it could offer the colour that
newspapers lacked then. He wrote in ThisWeek, preview edition, June 2, 1986:
The television has influenced the way we see the news, views,
events and places. Television has brought the world closer, news
alive; this is good, but television is transient. Like quicksilver,
the images come and go. Sooner or later, they blur in our vision.
Magazines fail when they try hard to look like newspapers,
report news as newspapers do; when they try very hard to be like
television, interpret events as television does, briefly, quickly,
too transient and momentary to make the difference. Magazines
must be magazines. They must bring colour and drama to news;
they must bring style and craftsmanship. Magazines must bring
home the nuances, the environment, the mood; they must bring
them in the way you can feel the news, see the news, interpret
the news and hold the news in your hands. Magazines must give
you the desire to get back to the news, the events, to see them
again and again without feeling lost in the quagmire of history.
That is THISWEEK and its mission. Thinking about Nigeria, of
national problems and a wind of change, coming quietly,
refreshingly and assuredly. One thinks of the magazine, not the
ones that try to look like newspapers or the ones that apes
television. One thinks of THISWEEK. 1
The vision was clear. ThisWeek would be as entertaining as television and offer
“colour and drama” as well as style and craftsmanship to news coverage and
presentation.
Its first issue out to the public commenced with a people-centric and colourful
cover. “Who leads Nigeria?”, it asked, with photos of ten leaders. It was
dramatic. Obaigbena continued to spell out the vision. He stated, “Nigeria
needed a newsmagazine that would uplift the national mood and articulate the
Nigerian viewpoint on world affairs. A magazine whose language and style are
lucid; presentation, lively; photographs, captivating.” 2
To fulfil the promise of its mission statement, ThisWeek offered full colour
initially and then many colour pages at the beginning of sections such as Top of
This Week (its cover story), Economy and Business, Photo of The Week and
Spectrum. Spectrum was particularly colourful. This Back of the Book section

brought human interest or slice-of-life content: fashion, literature and the arts,
sport, people, reviews. It was breezy.
ThisWeek followed hallowed traditions in journalism for magazines. It had a
one-week lead time that enabled it to pursue stories and offer more depth than
the newspapers had done. Even as a weekly, it sought to beat the dailies to
breaking news, but more so with analyses. It was outstanding in the early days
with coverage of Economy and Business with its star cast including Lawson
Omokhodion, Emeka Anunkor and the young Sheikh Abutiate and, later, Nkem
Ossai. It published stories that resonated with audiences across the country
including a profile of the Ransome-Kuti siblings active in the social space.
When the former Premier of the Western Region died, it devoted three issues of
the magazine to the life and times of the phenomenal leader. Its team was the
first to arrive Ikenne following announcement of the death of Chief Obafemi
Awolowo in 1987.
Its columnists clarified the issues of the day and took forthright positions, often
against the leaders of the day. They interrogated policies and pronouncements.
They included the editor, Sonala Olumhense, Tunji Lardner, Lanre Idowu, and
Pini Jason. Soon, its pages became what UNESCO describes as a “forum for
debate and discussion” with many external contributors ventilating their
opinions. They included Dr Chichi Ashwe, Jonathan Ishaku, Dr Imonitie
Imoisili, and Abba Dabo, among others.
ThisWeek had the courage to run stories that touched raw nerves. It exposed the
scandalous divorce of a then sitting governor and naval officer. It explored the
matter of the mystery of Glory Okon, the changing sexual mores and the pursuit
of imaginary Robin Hood armed robber Lawrence Anini. Its story on the riots in
Kaduna that forced then President Ibrahim Babaginda to return from a foreign
trip drew the ire of the Islamists. It was one of the first signs of a growing
Islamic fundamentalism that would manifest fully a few years down the line.
Bureaus in Benin, Port Harcourt and Kano ensured broad coverage of the
nation. Abdul Oroh manned Benin, Chido Nwakanma was in Port Harcourt
while Abdulrazaq Bello Barkindo covered Kano.
Style and presentation
In style and presentation, it had the characteristics of magazines. As itemised by
Baskette, Scissors and Brooks 3 , these include
 Use of a better grade of paper. The cover paper was heavier than the paper
for inside pages.

 Use of more colour, not only in illustrations but in type and decoration as
well.
 Dominant use of illustrations. ThisWeek had some of the best illustrators,
cartoonists and artists in the industry then including Obi Azuru, Paul Adams
and Tayo Fatunla
 Display that allowed the magazine to breathe. “Magazines use air or white
space to emphasize text and illustration much more often than newspapers”.
 Magazines vary typefaces to help depict the mood, tone or pace of the story.
They use initial capital letters to help readers turn to the message or to break
up columns of type. They wrap type around illustrations.
 Magazines may use reverse plates (white on black) or use display type over
the illustration for display headings or even text.
 Magazines may vary the placement as well as the design of the headline.

Stylistic writing and presentation were one of the journal’s strong suite. It
embellished this with good photography and colour. Here is part of a
sample report on the People pages in the issue of February 23, 1987.
“UNLESS of course it is where Chief Moshood Kasimawo Olawale (the M.K.O
himself) Abiola is being conferred with a chieftaincy title, a controversial one or
not, you can be sure that where two or more of the elites are gathered, it is a
polo ground. Or, more especially, one at which trophies and prizes are at stake.
“Of course, you can also be sure of the presence of all tribes of caps -red, black,
white, colourless, multicoloured, tall and short and well, bald pates.
“So, there they were: former governors -0military and civilian; former federal
and state administrators; former and current service chiefs; money bags; power
brokers and all. There they were, live and in full colour: either as spectators or
active participants. Forget that some of them were not conversant with the rules
of the game or its lingo. To be there or not to be there, that was the question. So,
the presence of babanriga, aso oke, guinea brocade, tall caps, short caps and all.
“It was the 1987 edition of Lagos Polo Tournament held between January 31
and February 8 at its usual venue: Lagos Polo Club, Ikoyi.”

A strength that became a weakness
Excellent production quality was a strength of ThisWeek. It produced every
week a glossy colour magazine that stood out on the newsstands. Readers
loved it and willingly paid the extra that ThisWeek charged in its cover
price. Readers considered it a worthwhile investment.

However, that production quality came at a high price in several ways.
Copy Chief Taiwo Obe added to his job the duty of travelling every week to
London to oversee printing of the magazine. It was strenuous and involved
many risks including the logistics challenge of flight schedules, arrivals and
delivery to vendors.
The ultimate risk that became the undoing of the paper was the fluctuating
exchange rate of the Naira. The introduction of the Second-Tier Foreign
Exchange Market and other measures to manage forex supply led to
exchange rate volatility that inhibited planning. There was also scarcity of
foreign exchange. Planning became difficult, and affected payments to
printers abroad. It became unsustainable. Shift to local printing did not
deliver the comparable quality. It was one of the reasons ThisWeek soon
kissed the canvass.

The Entertainment function
Entertainment is one of the prime functions scholars, as well as audiences,
ascribe to the mass media.
The media derives its importance both from its pervasive influence and the fact
of the roles that they play in modern societies. Media play important roles
generally categorised into information, education and entertainment. But there
is more to the function of the press than this shorthand.
McQuail and scholars such as Harold Lasswell, Charles Wright and Wilbur
Schramm have listed five essential functions. 4 The five primary functions of the
media involve information, correlation, continuity, entertainment and
motivation.

  1. Information. The media provides information about events and conditions
    in society and the world as its primary remit. While doing so, the
    placement of stories and the attention they get indicates relations of
    power. In its information role, the media also facilitates innovation,
    adaptation and progress.
  2. Correlation. The media serve a sociological purpose in its correlation
    role. The media explains, interprets and comments on the meaning of
    events and information. It helps with the socialisation of its audiences –
    providing support for established authority and norms, building
    consensus and setting orders of priority.
  3. Continuity. Maintenance of societal norms is one of the subtle yet
    essential roles of the media. Reports express the dominant culture while

recognising sub-cultures and new cultural developments. A focus on the
prevailing cultures ensures continuity of norms and practices

  1. Entertainment. Entertainment is a significant function of the media.
    Media content provides amusement, diversion and the means of
    relaxation. It helps to reduce social tension. Across the world in recent
    years, the entertainment function of the media has taken centre stage. It
    manifests in soft-sell journalism in print and various programmes focused
    on music, dance, drama, humour and such, at the apex of which arose the
    concept of reality television.
  2. Mobilisation. The mobilisation function of media is a source of serious
    disputation. While authority figures such as, in particular, African
    governments want the media to use their platforms to campaign for
    societal objectives in the sphere of politics, war, economic development
    and citizen mobilisation, they do so only as long as it is favourable to
    them. When the media engages in mobilisation based on its reading of the
    social need and such does not favour the government, it becomes
    contentious. Indeed, such governments accuse the media of serving the
    opposition or their interests.

ThisWeek as a medium fulfilled the functions of communication further
identified and adumbrated by the UNESCO team that studied social and
international communication challenges in the late 70s, releasing its report in

  1. The Sean MacBride Commission said communication serves these
    functions. They are information; socialisation; motivation; debate and
    discussion; education; cultural promotion; integration; and entertainment. 5
    The McBride Report stated of the entertainment function as “the diffusion,
    through signs, symbols, sounds and images, of drama, dance, art, literature,
    music, comedy, sports, games etc for personal and collective recreation and
    enjoyment.”
    Recent scholarship offers a more elastic definition of the entertainment
    function of the media. This reading draws on various theoretical
    foundations. The entertainment function of the media functions for the
    reader under the theory of Uses and Gratifications. Each reader derives
    specific gratifications from a magazine such as ThisWeek and uses it for his
    purposes. Some use it for research, others to keep abreast of events, and
    some in letters to the editor commended the magazine for the quality of
    production. They found the colour, photography and presentation appealing.
    The appeal of ThisWeek in its entertainment function supports the thesis of
    Harold Mendelsohn who propounded the Mass Entertainment Theory

(1966). 6 Even as it focused mainly on television, the mass entertainment
theory asserted that television and other mass media such as magazines
perform a vital social function of relaxing and entertaining average people.
Magazines such as ThisWeek offered entertainment merely as a fall out of
their focused reportage and analyses. The entertainment featured in cartoons
and illustrations, in satirical commentary and in nuanced reportage.
Production values of balance, white space, contrast and producing an
attractive publication added to the appeal.
In later years and in contemporary times, entertainment has become even
more central to media, with print trailing broadcast.
ThisWeek was a composite avant-garde publication. It made a strong mark and
retains a place of reckoning in the history of the Nigerian media. It is not a
surprise but a testament to the tenacity and vision of the publisher Prince Nduka
Obaigbena that he would return to the marketplace a few years later, 1995, with
a very strong newspaper brand, Thisday. ThisDay pushed the envelope in
entertainment by holding its branded events with local and international artistes
as well as awards events that recognise high achievers. It was confirmation of
the entertainment strength of its forebear and continuation of a trajectory.

1 Nduka Obaigbena, “The World According to Nigeria”, THISWEEK Preview, June 2, 1986
2 THISWEEK, “Who leads Nigeria?”, Vol 1, No 1, July 21, 1986.
3 Denis McQuail (2005), McQuail’s Mass Communication Theory, Fifth Edition. London: Sage
Publications.
iv. Sean McBride et al, Many Voices, One World, Ibadan/Paris: Ibadan University Press/The
UNESCO Press, 1990.
v. Floyd K. Baskette, Jack Z Scissors and Brian S. Brooks (1990), The Art of Editing, Sixth
Edition. Boston: Alyn and Bacon.

6 . Stankey J. Baran and Dennis K. Davis (2012), Mass Communication Theory: Foundations, Ferment and Future,
6 th Edition. London: Wadsworth Cengage Learning.

Chido Nwakanma profile
Chido Benedict Nwakanma is a communications strategist, journalist,
scholar and marketer with 34 years media and industry experience.
Nwakanma runs Blueflower Limited strategic communication. He was
Chief Executive of Taijo Wonukabe Limited; Export, Institutional Sales
as well as Media Relations Manager at Cadbury Nigeria plc. He was also General Editor of BUSINESS and regional correspondent (PH) for
ThisWeek magazine.
Nwakanma is President of the International Association of Business
Communicators, Nigeria and a past President of the Public Relations
Consultants Association of Nigeria, PRCAN, 2012-2014. He is also
adjunct faculty at the School of Media and Communication, Pan Atlantic
University, Lagos.

Book Review – “A Story of our Times” by Sylvanus A. Ekwelie

A Story of Our Times: An Autobiography. Sylvanus A Ekwelie (2018),
Enugu: Rhyce Kerex Publishers. 428 pages
ISBN: 978-978-8506-09-6
Reviewed by Chido B. Nwakanma, School of Media and
Communication, Pan Atlantic University
.


A constitutional through eight decades
Biographies are recommended reading for persons at every stage of life,
but more so for young ones because “biographies explore the events in
a person’s life and find meaning within them.” Meaning within a person’s
life is even more apparent in autobiographies.
Sylvanus Ekwelie brings to this story of his life and times the skill of the
journalist, the authenticity of the autobiographer and sociological
imagination. Renowned sociologist C. Wright Mills takes credit for
coining the term “sociological imagination” to refer to an awareness of
how the part fits into the whole or “the awareness of the relationship
between personal experience and the wider society”.
With a fitting title, A Story of Our Times: An Autobiography, takes the
reader on an exciting walk (a constitutional, as he taught our class)
through eight decades of development in South-East Nigeria, Nigeria
and Africa. Ekwelie tells the story of Nigeria in the 1930s up to the
2000s. It is one of struggle through the years of living almost in a state of
nature, battling and overcoming diseases and poverty, yet contented
with the leisurely pace of life in rural Nigeria and its many splendours
such as hunting for rodents. Then the journey through education; he ran
away initially, but soon became an exemplar of the values and benefits
of the new Western Education.
Sylvanus Ajana Ekwelie is an emeritus professor of mass
communication. He was a pioneer student of Journalism at the
University of Nigeria, Nsukka, part of those in the successful experiment
of UNN founder Dr Nnamdi Azikiwe to add academic rigour to the
training of journalists in West Africa. After that, most of his life and fame
revolved around his alma mater. The very brilliant Ekwelie excelled in his
studies and earned a scholarship to America. Hard work, brilliance and
grace enabled him to get an additional grant to pursue a doctorate. He
thus became the first graduate of the department of mass
communication, UNN to earn a PhD.

This rich narrative tells of a life of many firsts, a true pioneer in several
areas. It chronicles his journey as a pupil, primary school teacher,
undergraduate, a post-graduate student in America and earning the
diadem of a PhD. Many themes resonate through A Story of Our Times:
An Autobiography. They include the role and influence of the
missionaries in education, the virtue and benefits of friendship and
integrity, hard work and grace. There are lessons on being African and
black in the United States, rebuilding of the department of mass
communication after the civil war, intrigues and games in the ivory tower,
the battle to maintain standards and more.
The felicity of the writing makes this book an engaging read. Ekwelie,
the style teacher, is evident in this his second book. His first work drew
on many years of teaching the subject as a foundation course in MC

  1. Sylvanus Ekwelie (2005), A Master Style Guide gets high praises
    for teaching the principles and critical issues in style, from names and
    titles, through diction and spelling, choice of words, abbreviations,
    capitalisation and punctuation and usage as it affects gender.
    A Story Of Our Times expectedly conveys Ekwelie’s thoughts on
    journalism and the transition to communication studies as well as
    various developments in integrated marketing communication such as
    the creation of the Advertising Practitioners Council of Nigeria (APCON).
    The then Dr Charles Okigbo, a lecturer under Ekwelie’s supervision at
    UNN, was the first Registrar. Ekwelie served on the first Council.
    He offers a concise summary of the history and developments of media
    in pages 209-210. He distinguishes between journalism and mass
    communication, tracing the journey from print through advertising and
    public relations as well as broadcast journalism. He notes, “In the 20 th
    century, journalism became critical in daily life. Anything with such an
    appeal and reach is worth studying to determine what it does or does not
    do.”
    The appendix to this work is a must-read as it contains the Ekwelie
    manifesto or what he calls “My media philosophy”. The author comments
    on general issues in the public life of Nigeria in “The Author’s World”,
    chapter ten, pages 297-342. He laments the decline of values. A Story
    of Our Times is recommended reading.
    As his students noted while honouring him in 2010, “Every student of
    mass communication in the University of Nigeria from the years 1973 to

2006 has an Ekwelie story to tell. Students recount these stories to
celebrate the joy of learning and the thrill of discovery. The stories are
often humorous or witty, sarcastic or even comical, but each class tells
its story in appreciation of lessons learnt in the use of English, in writing
or the broad field of communication.
“Many students remember Ekwelie for the introductory journalism
classes in the use of English and Introduction to Mass Communication.
Pumped up and exultant at scoring very high grades in JAMB and
English and Literature in the West African Examinations Council School
Certificate examination, students come with a swagger. Ekwelie would
first deflate the balloon of self-importance and then redirect. After the
first few classes, you knew you do not know much, but you are
energised to learn proper usage, pronunciation and writing.”
Ekwelie earned his master’s and doctorate degrees from the University
of Wisconsin. He served as head of the department of journalism at
Texas Southern University, Houston, Texas, before returning to Nigeria.
He was the Head of Mass Communication from 1977 to 1985, and again
from 2001 to 2002, Director of African Studies Institute, UNN from 1988-
1989, and Dean of the Faculty of Arts 1998 -2000.
Upon retirement from the University of Nigeria, Prof Ekwelie spent seven
years imparting knowledge at the University of Port Harcourt on contract.
A Story Of Our Times reads well and digests quickly despite its
pagination. The criticism of the book is the fact of not having a central
focus around which the narrative revolves, as all the authorities advise
on writing biographies and autobiographies. The smooth flow of the
account here, however, precludes this seeming deficiency.
Ekwelie deploys vivid language to illustrate events. He sought and got
permission from most of the persons mentioned in the book for itself as
well as to confirm the accuracy of facts and circumstances long past. We
see places and people of significance in the life of this journalism
educator and can relate to his trials and triumphs.